The Ghost’s Appeal: Man’s Interest in the Superficial in Toulouse-Lautr

The Ghosts Appeal Mans Interest in the Superficial in Toulouse-Lautrecs At the Moulin-RougeHenri de Toulouse-Lautrecs famous painting, At the Moulin-Rouge, combines striking coloring with abnormal fervour to create a change by reversal that addresses workforces superficial interest in wowork force. The dark prognosis depicted in the painting includes ten people scattered closely a restaurant. In the center, two women and three men sit nonchalantly around a table while the background portrays two men and a woman peering into mirrors a second woman (in the foreground) observes the situation. The most collar aspect of the picture is the dominating, pale face of a woman in the right foreground of the picture. A careful analysis of the painting begins with the film of the portrayal of the brightly-lit women and how the mens gazes focus that representation and concludes with the smashers natural confirmation of that portrayal. This textual look at the picture leads the viewer to th e conclusion that it is a womans external pomp that attracts a manlike.Because of Toulouse-Lautrecs use of lighting, it is clear that the women are central to the painting. Despite the intermixing of men and women, the light falls only on the women, and the men are leftfield in the shadows. Because of this, the eye wanders, not to the men, but to the women thus, they become the subject of the painting. piece of music this lighting does not appear unnatural, it is far from the customary distribution of light. Hence, the lighting of the women is an intentional attempt to focus the observer on them. Clearly, the objective of At the Moulin-Rouge centers on women.Having established that the females are integral to the work, it is interesting to see how the light source reveals more about th... ...illed with interesting scenes, people, and ideas, has a distinct theme that emerges by looking at both the women and their male counterparts. From their similarities to actresses to their d epiction as ghosts, Toulouse-Lautrecs women are superficial. It is the mens obsession with this, however, that reveals the works realised theme. Namely, that it is the outward grandeur of a woman that charms men. This point is brought close to home as the viewer realizes that he joins the men in the painting with the said(prenominal) curious interest in the superficial. Toulouse-Lautrecs masterpiece brings the theme of shallownesss appeal full-circle by engulfing both the subjects and the audience.NOTES*At the time, flneur described the rich, male population that had time to observe and appreciate art. Artists of the day knew that their audience consisted largely of flneurs.